kittenmeats:

“Trans-Europ-Express” (1967) - Alain Robbe-Grillet

“Trans-Europ-Express” (1967) - Alain Robbe-Grillet

Posted on June 1, 2012 via KITTENMEATS with 3,880 notes

Posted on June 1, 2012

Posted on June 1, 2012 via Tshirt Roundup with 3,928 notes

Smoothie of the day.. Nettle, dandelion, plataine (The plant NOT the fruit!), banana, strawberry, raspberry leaf, oat milk :)

Tagged: Smoothie running nettle raspberry leaf strawberry vegan oat milk wild food food for free

Posted on June 1, 2012

(via cuntbarf)

Posted on June 1, 2012 via KITTENMEATS with 1,802 notes

Source: kittenmeats

whereisdalesmind:

newpornbywomen:

Deal?

I’m in

Yes

Posted on May 31, 2012 via Dance, Dance, Dance and lose yourself with 5,021 notes

Source: crazyfeel

GirlCrush….. *le sigh*

(via imbatdog)

Posted on May 31, 2012 via 陶酔夢 (rêveries euphorique) with 8,407 notes

Source: reverieseuphorique

Posted on May 31, 2012 via I Wanna Do Bad With You with 22 notes

Source: madeforlovinyou

A few years back all the animals went away.
We woke up one morning, and they just weren’t there anymore.
They didn’t even leave us a note, or say goodbye.
We never figured out quite where they’d gone.
We missed them.
Some of us thought that the world had ended, but it hadn’t.
There just weren’t any more animals.
No cats or rabbits, no dogs or whales, no fish in the seas, no birds in the skies.
We were all alone.
We didn’t know what to do.
We wandered around lost, for a time, and then someone pointed out that just because we didn’t have animals anymore, that was no reason to change our lives.
No reason to change our diets or to cease testing products that might cause us harm.
After all, there were still babies.
Babies can’t talk.
They can hardly move.
A baby is not a rational, thinking creature.
We made babies.
And we used them.
Some of them we ate.
Baby flesh is tender and succulent.
We flayed their skin and decorated ourselves in it.
Baby leather is soft and comfortable.
Some of them we tested.
We taped open their eyes, dripped detergents and shampoos in, a drop at a time.
We scarred them and scalded them. We burnt them.
We clamped them and planted electrodes into their brains.
We grafted, and we froze, and we irradiated.
The babies breathed our smoke, and the babies’ veins flowed with our medicines and drugs, until they stopped breathing or until their blood ceased to flow.
It was hard, of course, but it was necessary.
No one could deny that.
With the animals gone, what else could we do?
Some people complained, of course.
But then, they always do.
And everything went back to normal.
Only…
Yesterday, all the babies were gone.
We don’t know where they went.
We didn’t even see them go.
We don’t know what we’re going to do without them.
But we’ll think of something.
Humans are smart.
It’s what makes us superior to the animals and the babies.
We’ll figure something out.

Babycakes by Neil Gaiman (via heartbreakncupcakes)

(via cool-to-be-kind)

Posted on May 31, 2012 via May our hearts overcome our appetite. with 82 notes

Source: we-are-all-earthlings

suicideblonde:

INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography

By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.

Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.

This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:

As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.